Satoshi Kon ungomunye wezibalo ezibonwa kakhulu emhlabeni zezemishini, umqondisi olokhu esunduza imingcele yalokho okungafezwa yi-methomu. Ngaphesheya kwefilimu emfushane eyingozi [1] kuphela amafilimu amane ayizici kanye nochungechunge olulodwa — wachitha indaba ebhalwe ngokulandelanayo futhi wafaka uketshezi olufana nolwephupho, olubonisa ukufihlwa kobuntu obunkimbinkimbinkimbinkimbi. [iMillennium Actres ] uyaqhubeka elahla ukususwa kwalendlela, ifilimu engekho ngaphambili, lapho kuyenzeka khona, ukucatshaza, nenkumbulo eluhlaza eshayekile, evusayo evusayo. Ngokuhlanganisa ukuphila komzwelo we-Dathophini nemisebenzi yakhe ye-movie, echaza i-KLTYProme, echaza indlela esebenzayo, engayidingi ukulandisa njengendaba eyisa phambili, kodwa egcina inkumbulo ekhona ngaphambili.

Umqondo Walabo Abangakhulumi

Ukulandisa ngentambo bekulokhu kuyindlela enephutha yebhayisikobho, iveza izenzakalo ngendlela ecacile yokulandelana kwezimbangela nomphumela. Ukulandisa okungenalayini kuyaphula lelikethe, kunyakazisa isikhathi njengomgangatho wamakhadi ukuze kwakhiwe incazelo nge - jutcapation, ukuphindaphinda, nokwembulwa. Kunokuba kumane nje kugxume nge-statutic sylisticism, izakhiwo ezingavumelani nezisebenza ngendlela ecacile yengqondo yomuntu: izinkumbulo ezikhunjulwayo, ukuhlobana kwezikhathi ezingavunyelwe, futhi iqiniso elingokomzwelo ngokuvamile lingenza okuncane ngewashiwe ebhukwini. Amafilimu ahlukahluka kakhulu [[FLT:] [FLD] [5] [5] [isimo esivundliwe], [[5], futhi isilinganiso esiqinile senkumbulo [ukuqondiswe i-S], [FT] futhi kusetshenziswa kakhulu isilinganiso senkumbulo.[5]

Izakhiwo ezingahleli ziphoqelela izilaleli ukuba zimelane kakhulu. Kunokuba zithathe indaba ngokunganaki, izibukeli ziba abaseshi, zihlanganise izingcezu futhi zibuze ukuthembeka kwalokho ezikubonayo. Lencazelo esebenzayo ingaveza ukuhlobana okujulile ngokomzwelo ngenxa yokuthi umsebenzi wokwenza injongo uhlanganyelwa phakathi komdali nombukeli. KuKon wakuqonda kahle lokhu. Kuye, ukulandisa okungakhi kwakungesona isikhala kodwa indlela yokuveza izifunda zangaphakathi − ukubonisa indlela iphunga elilodwa elidlulayo, isithombe esisheshayo, noma umugqa wengxoxo ongathumela ngayo ingqondo edabukeni emashumini amaningi eminyaka ngokuphazimazima kweso.

Lendlela futhi ivumela ukuvala isikhathi esiqondile ukuba singahlali kahle. Ngokubeka indawo kusukela ebuntwaneni kuya kobudala, abenzi bamafilimu bangadweba ukufana okuqokomisa ingaphakathi lohlobo olungaguqukiyo noma, ngokuphambene, ukulahlekelwa okubhubhisayo lobumsulwa. Lokhu kugcizelela kwesikhathi kudala incazelo eqinile, ukubuka okuphindaphindiwe nokukhuthaza incazelo engapheli. [[FLT] Millennium Actress[, Kon angathatha lokhu kuncishwana okunengqondo, okwenza iminyaka engamashumi ayisikhombisa ayisikhombisa azizwe njengokuphefumula kanye nokuxobodwa.

Satoshi Kon’s Infiction e "Millenium Actres"

Ngaphakathi, uMillennium Actress uveza indaba njengengxoxo ebhaliwe. Abenzi bamafilimu ababili, uGeya Tachibana nomphathi wakhe wekhamera uKyoji Ida, bavakashele umlingikazi odumile odumile uChiyoko Fujiwarda ekhaya lakhe elikude, benethemba lokuthatha indaba yakhe yesikhathi sokubuka. Lokhu kulandela umlando ocacile. Njengoba uChiyoko elandisa esikhathini esidlule, abaculi bezokuthwebula badweba izinkumbulo zakhe, babonakala njengezibukeli zezelo zokuphila kwakhe. [1] futhi ngisho naphakathi kwamabhayisikobho ayedlala kuwo. Lokhu kuguqula ingxoxo yesikhathi esidlulele futhi kuhle, kuhlehla izindonga phakathi kwezindonga.

Ukuhlangana Kokuphila Ne - cinema

Intuthuko kaKon ingeyokuthatha ifilimu kaChiyoko njengendikimba ehlukile yomsebenzi kodwa njengengxenye eyisisekelo yokuhlangenwe nakho kwakhe. Izindima zakhe ze-movie(a centals, geisha, usosayensi, i-astronaut , akuwona nje umsebenzi osunguliwe; ziyizinto ezingokwengqondo zokufuna kwakhe ukuphila kwakhe konke ukuba ahlangane nomuntu oyimfihlakalo lapho esemusha. Indoda eyisifebe nengcweti yezombangazwe, yamnika isihluthulelo futhi yaphela, futhi ukumfuna kwakhe kuba yinjini exosha ukuphila kwakhe konke. Ezandleni zikaKon, amafilimu enza nje izakhiwo ezicabhayé kakhulu ngenxa yalokho kufunwa kwakhe. Ukuqhuma kwenkumbulo yangempela yesikhathi sesikhathi sesikhathi seTokyo yasebenza ngokuqondile, futhi ayenza isayensi ekwazi ukuthatha inzuzo, ngesikhathi esazisalokhu ehlala phakathi kweze.

I-flarealism ayiyona nje into ebaluleke kakhulu; isho ukuthi siyini isimo sobuntu bethu. Siyindaba esizitshela yona, futhi indaba kaChiyoko ingeyesikhathi saphakade, i-divern. Ngokwenqaba ukuhlukanisa abadlali babadlali bakhe, uKon uphikisa ngokuthi ukuphila kwethu kwangaphakathi kuyindlela yokusebenza, ukulandisa esikwakhayo nokukuvuselela njengemfuno. Ukuhlelwa kwendaba okungasekelwe elayini kwenza lempikiswano ibe yenzeke ngokusemthethweni, hhayi nje ngokuzihlola, ukuze izilaleli zibone ukuwohloka kwemingcele kunokuba zimane zitshelwe ngakho.

Indima Yesakhelo Samadokhumende

U-Gena Tachibana unezela olunye ungqimba lobunkimbinkimbi. Umthandi wokuphila konke waseChiyoko futhi, njengoba ifilimu kamuva ibonisa, umuntu othatha i-meya ezenzakalweni eziningi eziyinhloko zokuphila kwakhe, u-Geya akayena umxoxi wamuntu onganaki. U-Geya uhlanganyela ngentshiseko ezingqondweni, ngezinye izikhathi enikeza izintambo zakhe, eveza obala, ekhumbulayo, esikhumbuza ukuthi isenzo sokubuka asisoze sathatha indawo eyodwa. Okwesibili, ukuba khona kwakhe kunikeza ubufakazi obubonisa ukuthi umbukwane nokwethayi: uGenya nokuzibuka kwakhe siqu, kusikhumbuza ukuthi isenzo sokubuka akuna neze. Okwesibini, ukuba khona kwakhe kunikeza i-ankile ethambile phakathi kwesiphithiyo, i-umboni ehambisana nobufakazi obuwusizo.

Ngaphezu kwalokho, i-flamear igcizelela ukuma kwazo zonke izindaba zesikhathi. Indaba esiyibukelayo ayiwona umlando oqotho kodwa ukuvuselela kabusha okuhambisanayo phakathi kwemiqondo kaChiyoko engathembekile, izinkumbulo zemibala evusa inkanuko kanye nenhliziyo ka-Geya yokukhulekela. Isimo esingavumelani nesithombe, kanye nokushintsha kwayo okungalindelekile, ihlanganisa leliqiniso elisendabeni eliqondeneyo kangcono kakhulu kunanoma yiliphi iqoqo lezenzakalo elingokomlando. I-Emotion, hhayi ukubala izenzakalo zesikhathi, kungaba isimiso sokuhlelwa. Isikhashana senhliziyo emnyama phakathi kwama-50 singangqubana nomfanekiso we-samurai ngoba, ezweni langaphakathi lezwe, zihlanganyela ukuzwa okungokomzwelo okufanayo. Kyon izilaleli zithemba ukulandela ikhalenda.

Ukuxuba Iqiniso Nenganekwane

Umoya ofana nephupho we Isondo elijikelezayo elivalweyo (isondo elijikelezayo) alihlelwanga kodwa liklanywe ngokucophelela ngokuhlela, ukuklama, nombala ohlukile oshintsha phakathi kwenkathi. Izinguquko zixhomeke ekunyakazeni noma isihluthulelo sesibonakaliso, isondo lokujikeleza, umnyango ocwebezelayo ovalwe kanye-"ukuhlanganisa amashumi eminyaka. Umfanekiso kaChiyoko ohamba phakathi kwedolobha elivuthayo ungaguqula inkundla yempi yempi, bese ungena ephasejinini yesayensi, umfutho wokuphelelwa amandla akhe angantenga. Lo msebenzi uveza ukuma kwekhono kwakhe., uveza umqondo ongokoqobo, uhamba phakathi kwe-filimi olufanayo, futhi ushintshanisa i-fidiyo, futhi ushintsha indlela ehamba ngayo phakathi nendawo ephakathi nendawo ehamba kuyo. Intombazane ihlale ikhona.

Kon futhi usebenzisa ukuhlanganiswa kwesithombe esingokoqobo nezindaba eziqanjiwe ukubheka ifa lobuciko. Amafilimu eChiyoko ayizinto zobuciko ezingokwesiko, kodwa futhi ayizikhumbuzo zomuntu siqu. Uma u-Genaya ethatha isithombe esiqoshiwe ayesibuka ebusheni bakhe, inkumbulo yokubuka ifilimu iba yinto engokoqobo njengefilimu ngokwayo. Le filimu ihlanganisa inkumbulo kaGerya yokuqeda ubuciko bakhe, kanye nendabuko yefilimu yenjongo yenjongo yokuthi isakhiwo esingase sigcinwe kanjani. Ifilimu iba ukuzindla ngendlela ubuciko obuphila ngayo ezingqondweni zezilaleli zayo, ihlanganisa isikhathi eside nenkumbulo yakhe yokuziphuca ubuciko bakhe, futhi ikwazi ukuqeda okuthile.

Enye yezimpawu ezikhathaza kakhulu zalokhu kuxubana yisibalo esiphindaphindwayo se-crone endala evela ngezikhathi zokungabaza. Le nombolo ye-spectral, ebonakala iwukuveza ukwesaba kukaChiyoko kanye nokuzemukela ekugcineni, ingasebenza kuphela ebhokisini elingekho ngokoqobo. Ihlupha kokubili “inkumbulo zangempela” kanye nezithombe zebhayisikobho ezibonisa izimpawu ezibonisa ukuthi amandla angokwengqondo adlula emkhawulweni wokuphila nobuciko.

Ukusabela Ngokomzwelo Ngokwehlukaniswa

I-software ehlukene ayiyona nje indida engokwengqondo; iyimoto eyinhloko yethonya elinamandla elingokomzwelo. Ngokuveza ukuthula komChiyoko osekhulile, cishe ubuso obufana nobengane nokuzimisela kwakhe okunonya, uKon ubangela ukushukuma okubuhlungu phakathi kobusha nokuhlakanipha kobudala. Izilaleli zibona isiqephu esigcwele sokuphila okungapheli, kanye kanye kanye. Ngokuveza inhlekelele nobuhle bakhe obufana nobengane ngokuzifaka ngaphandle. Inguquko engajwayelekile ifaka isandi esiqinile phakathi kobusha nokuhlakanipha kobudala. I-Phokiyo ibona i-measekuhle kakhulu ngaphandle kokuvala isikwe. Isethulo, ingase ibonise ukuthi intengo, kodwa ingazithathi nje ithathe isinyathelo sokuzingela kwakhe. I-Chiyokube iveza inhloso, kodwa isuke iwukuxosha ngokuzingela nje kuphela injongo yokuzingela injongo yayo.

Isihluthulelo Sokulandelana Okubonisa Ukungabi Nandaba

Ukulandelana okuningana kuvelele njengendlela kaKon yekhono. Uhambo lokuqala oluya ezinkumbulweni zikaChiyoko luqala ngesineke, uGerya emnikeza ngesihluthulelo esidumile. Njengoba eqala ukukhuluma, igumbi lishintsha ngokungaqondi, ugesi ushintsha futhi ngokungazelele, futhi uphinde ube intombazane encane, iqembu lezokubhala limi lididekile ekhoneni. Lokhu kushintsha kokuqala kumisa imithetho: iminyango evulekileyo, futhi lapho iminyango ivulwe, noma isiphi isikhathi esifinyelelekayo. Akukho sixwayiso, i-cronsolle; iqiniso livele lizibese limi ekhonweni.

Okunye ukulandelana kwe-bravura kuhilela ukuhamba kwesitimela esiphelelwe ithemba ngemva kokufunda indawo alahleke kuyo. Njengoba egijima ejaha isitimela, indawo ezungezile iqala ukuphuka. Isiteshi sesitimela siba indawo yokuhlola i-samurai, imoto yesitimela iba yisiteji, futhi ngokungazelele ukuzamazama komhlaba kuhlukanisa umhlaba. Ukuhlela kusheshisa, kufanisa ukuphamba kwakhe, futhi imingcele yefilimu iqala ukumelana “ukuzamazama komhlaba” okubhubhisa izingxenye zeJapane. Kule bholodi, uKan ubonisa ukuthi inhlekelele nokudabuka kudlulele. Umuntu ongesona i-pane umhlaba uveza indlela esabayo engathi uvalo lungabonakala ngayo esikhathini esidlule namanje, efuna indlela yokubalekela. Umbukwayo, ithonya elincipheka kahle futhi elilingana nesilinganiso esifana nesemfayeni enyakazayo, isilinganiso esilinganayo esilinganayo esibonisa ngokuqondile i-pane.

Umvuthwandaba, lapho umuntu osekhulile uChiyoko ekugcineni ephishekela khona indoda eyimfihlakalo edwebeni lokudweba indawo yenyanga, ububanzi obuphelele. Lapha, ukulandela amaqabunga angaphandle ngokuzishaya sengathi umhlaba ongokoqobo. Ukugcina uhamba emthwebula isithombe esimnyama nesimhlophe somuntu wakhe osemusha, khona - ke angene emdwebeni wenyanga ependiwe, futhi ekugcineni ebheke ekugibeleni kwerokhethipiki emeleni elifinyele, ukuqhuma okuphelele kokukhanya. Isakhiwo esingakholini esingekho engxenyeni yento yangempela siye sayikhipha ngokuqhubekayo, sisusa izingxoxo zezindaba zezindaba zendaba siye ezithombeni ezibonisa izinto ezicacile. Loluhambo lungenaphutha ekuziboneleni okuphelele: lokho okuqala njengomgomo ophelele, ukuphila, ukuhlangana nomzimba ophelele, ukuhlangana nomzimba ophelele, ukuqhuma okuvumelana nento entweni entweni engokoqobo. Ifilimu esikwazi ukuveza kahle noma ukudlula kulendawo yokugcina.

Ukujula Kwengqondo: Inkumbulo, Ukucabanga Ngokukhuluphala Nokuzichaza

Ukwakhiwa kwezakhiwo okungekhona okuko kungokokunyaka iMillennium Actress ayiyona nje inqubo yokulandisa; iyimpikiswano yendlela inkumbulo esebenza ngayo. ukucwaninga kwe-Neuro yesayensi, njengoba kuhlolwa ekuhlolweni kwe inkumbulo ezenzekelayo kanye nokulandisa okulandisayo [, kusikisela ukuthi abantu abakhumbuli isikhathi sabo esidlule njengehele lesikhathi; bayasakheka kabusha, bafaka izimpawu ezifilisweni ezingokomzwelo nangokokudingayo. Ifilimu yenze lenqubo engaphandle ngokuthembeka okumangalisayo. Uma uChiyokoko ekhumbula isenzakalo esisukela ebusheni bakhe, akasikhumbuli; ukhumbula, futhi uphinde aphinde aphinde aphinde aphinde aphinde aphinde aphinde aphinde athole. UGenenya uvuse u-Genebayo-enyo olusayoluhlanganisayo olusayo olusayoluhlanganisayo oludala.

Ukuzikhathaza kunikezwa ngokuzinza okungapheli. Ukuhlelwa okungadingeki kuguqula ukuxoshana kube yi-grain, indlela ephinda i-mongo ngaphandle kokufika lapho ikhona. Lokhu yimoto yobuciko ye-Chiyoko ephumelela khona. Ukulokhu kwenza ukuba imoto yakhe ikwazi ukuqhuba izinkanyezi ngomdlandla, futhi umthombo wokuzihlukanisa kwakhe okujulile. Ifilimu ayilokothi ihlulele le dichotomy. Kunalokho, isebenzisa isikhathi esiphukile ukuze ibambe kokubili inkazimulo nezindleko ezingapheli. U-Chiyokoko, oweveve egcwele imibalabala, uyanqoba futhi uduma. I-oral ne-oral ivumela la maqiniso angokomzwelo aphikisanayo ukuba angene ngaphandle kokuzilungisa, ukuthembeka kobunkimbi benhliziyo eqinile ukuze ikwazi ukumelana nobunzima obungagcina.

Ukwaziswa kuvela njengoketshezi nokwenza imidlalo. Uma i-Chiyoko ihlala ingumuntu ojahayo, khona - ke indima ngayinye yefilimu ingukugqoka okusha komuntu obalulekile. Ingxube engekho elayinini isikisela ukuthi lowo muntu akayona ingaphakathi eliqinile kodwa inqubo elandisayo. Lomqondo, ovumelana nemibono yamanje yendaba elandisayo, awudluliswanga ngefilosofi kodwa ngendlela yokwahlukanisa ifilimu. Kon uthemba izilaleli ukuba zithathe umqondo ngokuyibona. Ekupheleni kwefilimu, isibonisi siye sayeka ukubuza ukuthi “Ingabe ikhona ngempela noma ibhayisikobho?” ngoba umbuzo uye waba yindaba engasho lutho. Iqiniso elingokomzwelo, futhi iqiniso lidluliselwa nge-meodia.

Ithonya Ekuhlanganyeleni Kwezilaleli

[iminyaka i-Millennium Actress ifuna uhlobo oluhlukile lokubuka kunezimpawu eziningi ezisemfanekisweni. Ayilusebenzisi ulwembu olunemvunulo noma usula amakhadi ahlohlayo ukuze iqondise izilaleli. Kunalokho, iphoqelela ukuba siqhubeke sizama ukuchaza imizwelo ephansi, siqeqeshe ababukeli ukuba bafunde ukushintshashintsha okungokomzwelo njengophawu lokuqala lokulandisa. Lokhu kuveza ulwazi kuyavuza kakhulu ngenxa yokuthi kubonakalisa isenzo se-itrospectus. Uma sizama ukuqonda ukuphila kwethu, asihloli isikhathi esicocekileyo; sihlola ngezithombe nangemizwa, senza ukuxhumana okukhona njengoba sihamba. Ifilimu yenza izilaleli zibe nophawu olushukumisayo oluhlanganisayo, futhi lubangele ukuba sizwane, ngenxa yomqondo ozungemuva, thina ngokwenqubo.

Lesidingo sokuhlukanisa sichaza futhi ukuthi kungani ifilimu ibuyisela ukubuka okuningi. Ngasokuqala, isibonisi sikhukhulwa amandla, mhlawumbe sidideka ngezikhathi ezithile, kodwa ekugcineni sithathwa yisikhawu esingokomzwelo. Ngokulandelayo, izakhiwo zikhanya ngokucace kakhulu: ushintsho ngalunye lushukunyiswa yinto, umsindo, noma isibhamu esingokomzwelo. Ifilimu iba indida efihlekile, hhayi ngenxa yokuthi ifihla icebo eliyimfihlo kodwa ngenxa yokuthi inikeza ukuqonda okukhulu kokuphila kwayo kwangaphakathi. Lemfanelo yenza [[FLT:] [FFEN]] [FENT] [FUN]], noma isibhamu esithandwayo [FOFON] [empesssssss.[10] ingumpe , futhi iyakwazi ukukhomba izihloko eziphawuliwe kakhulu [empekelele] [empephelo] [empe yamandla aphansi] [enu] [[3] [empenyu] [emp] [emp] [ense] [ense] [ense] [ense] [ense] [ense] [ense] [ense] [

Ifa Nethonya

Satoshi Kon's Kuddy ngo-2010 lapho eneminyaka engu-43 ubudala, i-movie yaphucwa enye yezingqondo zayo eziyingozi kakhulu. Nokho ithonya lakhe likhule kakhulu. Millennium Actress[, eceleni [[FLT:], [[FLT:]], kukha izindikimba ezilokhu zihlola umgqabazo phakathi kwento nephupho, [FOLT] [FOLT], [[11] [11] [indlela engcono kakhulu] futhi i-FLT] futhi incike i-Act:[5] futhi [idla ngokuka] i-FLT] iyakwazi ukubonakala kulokhu i-DNA.[FFT], icebo eliyinhloko kakhulu engabonakali kakhulu: i-ftmose, futhi ne-osenside kakhulu: [impela i-Fognomes]

Ngaphandle kokulingisa ngokuqondile, ifa likaKon yikho okungokwefilosofi. Wabonisa ukuthi isifanekiso singaba isici esiphakathi, hhayi nje umbukwane. Endaweni egcwele ifranchise-driven busters, umsebenzi wakhe ufana nesikhumbuzo sokuthi ithonya elivusa amadlingozi kakhulu yisimo sobuso. Ukulandisa okungahambisani nomthetho kusenhliziyweni, umqondo mayelana nesikhathi nowethu, futhi ngokwakha [iMillenium Acts[ ngokuphelele kulokhu kukhunjulwa umsebenzi owezwa njengophawu olunamandla namuhla. Amafilimu akhe awafundwanga nje kuphela ezikoleni [FLT] [FLT] [FLT] futhi azichaza ukuthi umninizo lwe-methomow]

Le filimu yashiya uphawu lwendlela i-amime edayiswa ngayo futhi eqondwa emhlabeni wonke. IMillennium Actress yawina uMklomelo Omkhulu eJapane Media Arts Festival futhi yabekwa njengemiklomelo eminingana yemiklomelo yomhlaba wonke, isiza ukuvula iminyango yemikhosi yokuvuthwa, izifanekiso zendlu zobuciko. Yabonisa ukuthi i-Filimu ephilile ingaba umsekeli omkhulu ngaphandle kokufuna ukulingisa i-diyo noma ukulingisa idrama ephilayo. Isakhiwo sayo esingahambisani umlomo wenkululeko: ukuhloba kwayo siqu, ngemithetho yayo yesikhathi nesimiso sayo.

Ama-crediodies amasha nabadali ayaqhubeka edumisa. Impumelelo enkulu yamapulatifomu agelezayo iye yaholela ekuvuselweni kabusha komsebenzi kaKon ngezizukulwane ezintsha. Imiphakathi yangaphakathi ihlukanisa ukushintshwa, uhlu lwezidwebo, futhi igubhe ukunemba okungokomzwelo kwendaba. Lengxoxo eqhubekayo igcina Millenium Actress[ iphila njengombhalo ophilayo, ukubukeka kwayo kusho ukuthi imboni ngamunye omusha uhlela kabusha ifilimu, njengoba nje uChiyokoko avuselela ukuphila kwakhe.

Isiphetho

Satoshi Kon’s [[FLT: 0] uMillennium Actress useyimpumelelo enkulu ekwenzeni ifilimu ebaliwe, isici esishubile esisebenzisa isakhiwo esingalinganiyo esingesona sesokuthatha kodwa seqiniso. Ngokususa imingcele phakathi kwenkumbulo, ukusebenza, nokuzichaza, uKon wakha umsebenzi owenziwe njengesanguluko ngokwaso: isocinium, imizwelo, futhi inyakaze ngokuqhubekayo. Ibhabhaybhayoloji ihambisana kuphela nozwela lwayo olujulile lowesifazane othola injongo yokuzijoyina. Enkathini lapho ukunakekela kuhlukaniswe futhi okuqukethwe yi-injini, ifuna ukubophana, i-Filimu iwusipho. Ibuza ukuthokozela ukuzwa kwesilinganiso, ukuzwa kwesikhathi sokuphila, futhi iqaphele ukuthi sikhuluma ngako konke. [i-Fod Fine]