UHayao Miyazaki's Umakhelwane Wami uTotoro (1988) ngokuvamile ugujwa njengendaba elula, ewubuhlanya. Ngaphansi kobuhle bayo, nokho, ukho, ukuzindla okuwuphawu olugcwele ebuhlotsheni phakathi kwendalo, umkhaya, nokuhlangenwe nakho kokukhula. Le filimu ayiyona nje indaba yabantwana kodwa iwumfanekiso ojulile wesimo sezwe, indlela imimoya ehlobana ngayo nezinto ezivamile, nendlela ubumsulwa obungasebenza ngayo njengebhuloholo lokuqonda ukulingana kwendawo ezungezile. Ngokuhlola izinhlelo zebhayisikobho, izitho zamehlo, nenkathi ethule yonyaka nento ebanzi yokuphila, siveza ukuchaza okusayo. [FotoFote]

Izindawo Eziphilayo: Imvelo Iwuhlobo Oluthile

Kusukela emafelemu okuvula, amaphandle e- umakhelwane Wami uToro ugomela ngokuthi ungowasemuva nje. Lendaba ivela ezindaweni eziqashelwayo zasemaphandleni eJapane ngo-1950, indawo yelayisi, amahlathi ashinyeneyo, izinambuzane, nemisele yemifula ephephuzelayo. Lena i-atoma, indawo yase-mngceleni lapho ukulima komuntu kuhlangana khona nemvelo yasendle. IMiyazaki neqembu lakhe lakwenza uhlazabhiki, izinambuzane, nenkathi enyaka nezindawo zokuhlala. Lapho uSariki noMei ethuthela ekhaya lawo elisha, kubonakala sengathi indlu igcwele khona izinsikame, izinsika, izinsika zezindawo zokudla imfula, futhi zigcwele izinyoni zengadiyo, izihlobo zezilwane, kuchaza ukuthi izinyoni zomhlaba, kodwa izimpawu zemvelo.

Isihlahla se-camper simi njengesikhungo esingokomoya se-filimi. Sikhomba emaphethelweni esakhiwo, sifihla imfucumfucu kaTotoro futhi sihlanganisa indawo yomuntu nenhliziyo efihliwe yehlathi. Enkolelweni yobuShinto, imithi yasendulo ivame ukuhlalwa [ imi[[FLT]], imimoya evikelayo futhi isebenzise izwe. Isihlahla se-camphor, nesiqu sayo esinentambo nensikakhulu, kuveza lelisiko. Ukutholakala kuka-Mei kweToro's lair ngaphakathi kwemizimpande kusikisela ukuthi kudinga ukuzimisela ukusuka endleleni, ukungena ezihlahleni ezibukwayo. Isihlahla sibuye sifanekise ukuba isizukulwane esiwubonayo.

Amanzi aphinde abuye afane. Umfudlana othulile eduze kwendlu, imvula ephuma ngokushesha, kanye nokugeza komphakathi konke kugcizelela amandla emvelo okuvuselela. Lapho uTotoro, uMei, noSatsuki benza umdanso wokudansa ebusuku, batshala imbewu ehlumela ehlathini elikhulu kakhulu, ixuba umlingo nento ephilayo. Lokhu kulandelana akulona nje iphupho; kubonisa iqiniso lendalo, uma ikhuliswa ngenhlonipho, ichuma ngendlela engenakulindelwa. Ifilimu iveza indalo njengempahla engalawulwa abantu kodwa njengomphakathi abaphila kuwo. Ngisho nomntwana omncane, njengemimoya neToros ngaphansi kwesakhiwo semvelo, unombono osekelwe ezweni lezwe, futhi unenjongo egxile eJapane.

Ukuze ubheke ngokujule kakhulu umqondo wesithako kanye nethonya laso kuStudio Ghibli, i- Totoro project yeHlavi ilondoloza amahlathi angokoqobo aphenjelelwe yi-filimi, ebonisa indlela umbono kaMiyazaki oye washukumisa ngayo imizamo yokulondoloza imvelo yangempela yomhlaba.

Ukungaphili Ebuntwaneni Namandla Okucabanga

Umakhelwane Wami uveza ingaphakathi lakhe elingokomzwelo endleleni elidumisa ngayo ukuphila kwangaphakathi kwezingane. USatsuki, cishe ongaba yishumi, noMei, ezine nje, uzwa ukukhathazeka kwezwe labadala .Umama olaliswe esibhedlela enesifo esisalele", kodwa ashintsha ukungaqiniseki kwakhe kube ukuthola izinto. Ukuhlangana kokuqala noTotoro akunaso neze iso iso. Ulandela imimoya emincane, ekhanyayo engaphansi kwebhucu, egcwele inkanuko yasekuqaleni kobuntwana, ekugcineni elala esiswini esikhulu. Lomhlangano, ongenakukwazi ukuveza izinga lengane lokuhlala endaweni engokoqobo nephuphayo.

Ukucabanga ngefilimu akusebenzi njengethuluzi lokulungisa ubunzima. UMari, osemncane kakhulu ukuba aqonde isimo sikanina, ufaka ukukhathazeka kwakhe kuTotoro. Uma kamuva elahlekelwa ukuzama ukuvakashela isibhedlela, uTotoro ukhala kanye ne-Catbus eqondisa uSatsuki kuye. UMei, osemncane kakhulu ukuba aqonde ngokugcwele imizwelo yamantombazane ngaphandle kwesizathu. Lokhu kuhambisana nokuqonda okungokwengqondo ukuthi izingane ezincane zivame ukuveza imizwelo eyinkimbinkimbi ngemiqondo eshubile. UToro uba umgcini wekhaya othule, umuntu othambile, ukuba khona okuthambile okuthatha ukwesaba nokukubuyisa njengenduduzo.

Miyazaki uqhathanisa ukuvuleka komlomo okunjengengane nokulinganiselwa okungokoqobo kokuba umuntu omdala. Uyise wamantombazane uyawasekela, kodwa akakwazi ukuwavikela njalo entweni engokoqobo. Uma uSatsuki ekhathazekile ngokuthi amakhaza kanina angase abe isifo esifanayo naleso esathatha omakhelwane ngaphambi kwesikhathi, ufakwa ebudalani. Le filimu imenza akhale, azizwe enomthwalo wemfanelo, abese emnika izwi eliwumlingo elingu-(* Cabus agibele efasiteleni lesibhedlela, lapho ebona khona abazali bakhe bebonkenekile, evayiza. Lowo mzuzu awukona ukuphika ubunzima kodwa ukuqinisekisa okungokomfanekiso ukuthi ngisho nokungaqiniseki, ukuphila kumenza abe nomusa. Ifilimu ikwazi ukwenza izisulu zobuntu bayo, kuyilapho ingaphelele, iyaqhubeka inikeza amandla okusekela ukuthi umhlaba, kuyilapho unjalo, unomusa.

Lokhu kusingatha ubuntwana kuye kwathinta kakhulu emhlabeni wonke, kodwa ukuba lula kwayo kufana namaJapane, asikhumbuza izinkolelo zobuShinto zobumsulwa kanye kari. [Ukuqonda okugqamile, okungafihlekiyo kwengane. Izazi ziphawula ukuthi uMiyazaki akachaphazeli izimpawu zakhe ezincane ekuhlukumezeni ukuze ahlatshwe intengo; kunalokho, ufaka ukuchayeka kwazo njengomnyango wokumangala. [[FLT:] Ukuhlolwa kwefilosofi kaMiyazaki uqokomisa indlela asebenzisa ngayo ubuntwana bakhe ukuze asebenzise i-criqueetaqueeah ukulahlekelwa yizimanga.

ITotoro Njengophawu Oluningi Olunemisebe Eminingi

UTotorohjor, mhlawumbe yena ngokwakhe, njengoba ifilimu iveza i-toro enkulu, ephakathi, futhi encane uTotoro, iwukuhlangana komoya wehlathi, indalo, nokusungulwa okungaphelele. Ngokubonakalayo, uMiyazaki uye washo ukuthi uTotoro akayona into eqondile i-Joakai kodwa isidalwa esihlala emkhathini lapho imicabango yomuntu ihlangana khona nengabonakali. Ngokubonakalayo, i-Toro ixuba izici ze-iconiclectus: i-fiblone syrvray, izindlebe zonogwababa, umzimba ovund, namazinyo amakhulu, angasuka esabekayo ekwazi ukunyakaza ngokuphazima kweso. Le miklani exube iveza i-mfalture, lapho ilandisa i-mistro elandisa izibalo.

Incazelo evelele ibheka uTotoro njenge- ayiyi-nushi, noma umphathi wehlathi. Ulala ngaphakathi kwesihlahla se-camper, uphefumula njengomsindo womhlaba, futhi angalawula umoya nokukhula kwezitshalo. Uma uMei eqala ukumthola, ulala kuye, ulala khona qhaqha, uphawu olukhuluma ngendima yakhe njengomvikeli kunokuba asongele. Isigcawu esidumile ebhasini esima emvuleni siqinisa le mifanekiso: Ukuma ngeqabunga ekhanda lakhe, ukusuka kwelinye igxa ngemvula, futhi athathe ukwamukela iSaki uSakishi wanikela imbulela. Unyakazo, lapho egxuma futhi egxuma khona iphile, uveza ibhulomu, futhi uveza isilwane esivela kwamanye amazwe. Ufundisa amantombazane ukuba azizwe, angazi ukuthi asuke enzile.

Kukhona futhi imfanelo kamama yokumethemba. Nalapho bengekho, uSatsuki noMei bahlangana nomuntu omkhulu, ogqumayo, ozambezela, nowamukela ngokungenamibandela. Ngobusuku bokudansa kokukhula, banamathela esiswini sakhe esibushelezini njengoba bendiza, isimo sokuthemba okukhulu. Ngisho noma bengakhulumi ulimi lomuntu, uTotoro ukhuluma ngokubhonga, ukumomotheka, nokupha izipho qhaqha, kanye nezipho ze-acorn nembewu. Lezi ziphawu azizona nje izikhali eziceliwe; zihlanganisa umqondo wokuthi indalo inikeza ngosizo oludedayo. UToro akafuni lutho olubuyayo, uhlobo oluthile lokunakekela olufuna ukuqaphela ubungcwele behlathi kuphela.

Ukuhlobana nezinganekwane zaseJapane kuthuthukisa ukubuyela emuva kwempucuko. Nakuba uTotoro engesona isiko eliqondile [[FLT: 0] u - tanuki noma kodama[, uveza [umphakathi] [u-tsuko] [4] [[FLT] [] .] . [1] Inkolelo ye-oyasemzingeniswana yokuthi zonke izinto zinomphefumulo. [u-FLT] [FLT] [FL:] [FLT] [FL:] [FOLT] [FOLD], ubuyisela izinto ezingavamile, njengoba zingene. Ngokuqhubekayo, i-Foctivespointss]

Izibopho Zomkhaya Nokuhlala Ngomphakathi

Nakuba umoya wehlathi ulawula izici zalefilimu, ubuhlobo babantu buziveza zimfudumalo. Umkhaya waseKusakabe .Ubaba onezifezo Tatsuo, umama uYasuko, namantombazane amabili, uhlanganisa ukucindezeleka kokugula ngesisa nangokuhleka. UTatsuo akalokothi alahle ukubhekana kwamadodakazi akhe noTotoros; uma uMei efuna ukuba ahlangane nomoya omkhulu, uyamthatha ngokungathi sína, aholele umkhaya esihlahleni se-pasthor ukuba unikeze inkonsolo. Lenhlonipho yokubhekana nobunzima isifundo sobuzali esithule, esinye esibonisa ukuthi ingaphakathi lengane ikhona kunokuba iphoqelele ukuba icabange.

Umphakathi wedolobhana ubonakala ngalokhu kusekelwa. UGranny, umakhelwane onakekela amantombazane, uhlanganisa isimiso sokuziphethe sasemaphandleni . [FLT]omenashi] [1] ungenisa izingane ngosizo lwangaphandle. Uveza amasiko ezwe, njengokhetha imifino efolishi ensimu futhi achaze i-soat gremlins, avala izindlela ezindala nentsha. Uma uMei ephunyuka, wonke umuzi uqoqa, nabalimi, nabadala, ngisho noKanana, usiza ekufuneni. Le mpendulo ephakathi, engayifuni futhi esheshayo, igcizelela ukubukeka komphakathi lapho ihlala khona. Emphakathini lapho idolobha kakade, ingekho isakhiwo somkhaya, i-Forgialma.

Isembozo sikaSatsuki kusukela ku-Satsuki omdala onomthwalo wemfanelo kuya kumntwana okhungathekile ngokomzwelo unikezwa isisindo esiphelele. Upheka, uhlanza, futhi uqapha iMei, nokho ulangazelela ukubuya kukanina. Ifilimu ayifezi ukuthi lezizindima zilula. Phakathi nombukiso welayisi nokugeza ngoGranco, sibona uSatsuki ekhululekile emkhayeni wakhe. Ukuhlangana kwezihlobo zegazi nomphakathi okhethiwe kusikisela ukuthi umkhaya uyinhlanganiselanethi ethambile, enwebekayo, hhayi iqoqo elimisiwe. Lomqondo wamaJapan [[FLT]], lapho uSatsuki ekhulumele khona amalungu omkhaya athengiselwe amalungu eqekeneyo nangawegazi.

Ukufakwa kwale filimu ngokucashile kwesifo sikamama cishe kuyisifo sofuba, ikhambi elivamile elidayisa impilo phakathi nonyaka wama-3520thcentury eJapane − kunezela ungqimba lwezinto ezingokomlando. I-sanitararium, izincwadi, kanye nokukhathazeka ngezinye izikhathi kuqinisekisa ukuthi izigxobo zingokoqobo kodwa azikho neze ezivela njengenhlekelele. Kunalokho, ukuqina komkhaya kanye nenduduzo yalelihlathi kubonisa ukuthi ukuphulukisa akuyona nje ezokwelapha kodwa futhi kungokomoya kanye nokuvumelana nomthetho. Ngokwenqaba ukuchaza isifo se-meloma, uMiyazaki udumisa isibindi sansuku zonke esibhekene nezimo ezingamapheli, okwenza umlingo uzizwe zonke eziwusizo kakhulu.

Ukuqonda Indawo Ezungezile Nezici Ezingokwesiko

Ikhululwe ngo-1988, Umakhelwane Wami uTotoro wafika ngesikhathi lapho iJapane ilwa nezindleko zendawo ezungezile zokukhula ngokushesha kwezomnotho ngemva kwempi ka-196. Urbangrad, ukungcola kwezezimboni, nokulahleka kwendawo ezungezile kwakuyizinto ezikhathazayo. Nakuba le filimu ingakhulumi ngako lezi zinto ngokuqondile, inhlonipho yayo ngesazulu njengentengiselwano, amandla avikelayo angafundwa njengendlela engabonakali kalula. UMiyaza, umenzi wendawo edumile nenkokheli weStudi Ghibli, uchithe amashumi eminyaka ekhuthaza ukulondolozwa kwendawo engokwemvelo. Toro, kodwa esendaweni yakhe ephansi, ephethe isebenza njengendawo engcono.

I-Catbus mhlawumbe iwuphawu oluhlakaniphe kakhulu kulendaba. Isilwane esigxumagqene esisebenza njengazo zombili isilwane nemoto, simelela ukuhlangana okuhlangene kwemvelo nobuchwepheshe. Izibani zaso ezikhanyayo zekhanda, izimpawu zokuthatha indawo ezishintshayo ngomoya, nekhono lokunqamula imigqa yamandla nezihlahla liphikisana nokuhlakanipha kokuhamba kwezimboni kuyilapho sisabhebhezela izinto zokuthutha. I-Catbus isikisela ukuthi ukusungula komuntu akudingenzeki kuphambene nohlelo lwemvelo; kungavusenwa ngelensi ye-sclecure of actic synergy. Ezweni elincike kakhulu encike kakhulu emafucini ezinto ezivundliwe, lomfanekiso uhlala uyinto ehlukile.

Le filimu futhi ibonisa isimo sengqondo esingokwesiko ngokuqondene nobuhle bemvelo. Amasiko obuShinto namaBuddha eJapane sekuyisikhathi eside eqaphela ungcwele ezintabeni, emifuleni, nasemithini. I-Toro’s lair ngaphansi kwesihlahla se-camhor, ukunikelwa komnsalo komnsalo ngomkhaya, nemijikelezo yezikhathi zonyaka wokutshala nokukhula kwe-echo maturi (amagqubu) adumisa izwe. Ngisho ne-soot gremlin, uswatari , isekelwe kubantu abahlala ezinhlalweni ezindala, i-transmisssssssssss (izimpikisi) elandisayo yamaJapanni akhumbuza izakhamuzi ukuba zihloniphe izindawo zazo. Lezicimbiza; zisusa imbo ye-mfalm esithombeni esendaweni engokomoya ezungezile njengesazi esibhekwa njengesazi sesizwe.

Izazi ziye zaphawula ukuthi Umakhelwane Wami uTotoro uqala amafilimu amaningi avamile endawo ezungezile futhi wakwazi ukusakaza umyalezo wawo ngaphandle kokushumayela. Ngokubonisa ubuhle bento ephilayo ehambisana nendalo /ukuqoqa amanzi, ukunakekela izingadi, ukudlala emvulani, ukwenza ukulondolozwa komsebenzi ojabulisayo. Indaba ye-oceacenation es process ihlola indlela i-Toro escro evet yezendawo ezungezile, esetshenziswa emikhankambisweni yokuvikela amahlathi amadala akhulayo futhi ithuthukisa ukuphila. Isilwane esiwumbukwayo singaveza ithonya elikhulu.

Ifa Elihlala Njalo Nesizathu Sokuba Libaluleke

Emashumini angaphezu kwamashumi amathathu eminyaka ngemva kokukhululwa kwayo, umakhelwane Wami uTotoro uyaqhubeka ejabulisa izizukulwane ezintsha futhi ekhuthaza abashisekeli bezinguquko, abadwebi, nothisha. Ukufanekisela kwayo akunakulungiswa; izibukeli ziletha okuhlangenwe nakho kwazo ehlathini, zithola kunoma isiphi induduzo eziyidingayo ("umgadi wemvelo, umngane wezikhathi ezinesizungu, ibhuloho phakathi kosizi nethemba. Studio Ghibli kaTotoro njengesiboniso sawo sokuthatha isikhundla somdali njengophawu lwesidalwa njengophawu lokuthembeka kokudala nokuphathwa kwendawo ezungezile.

Ukubonisa kwale filimu impucuko kuye kwathola ukuphuthuma ekhulwini lama-21 leminyaka njengoba ukushintsha kwesimo sezulu, ukulahleka kwezinhlobonhlobo zezinto eziphilayo, nenkinga yengqondo kuthinta abantu abasebasha. Umakhelwane Wami Totoro unikeza umbono wezempilo: isikhathi esichithwa emvelweni, esisekelwa umphakathi nemicabango, singabuyisela umoya. Uveza i-ethos ye-fectal e-meant, lapho intuthuko yezobuchwepheshe ingadingi ukubhujiswa kwamahlathi, nalapho abantwana benikezwa amandla okubona imilingo esemhlabeni. Ifa alikho nje kuphela ikhono kodwa inzuzo kodwa i- i-Slacma redcural Forcuty Fund i-Sama, eJapan, ivikela ngokukhuthele uhlobo lwe-Mzaywomthene, i-Mya.

Njengoba sihamba ngezwe le-screens noshintsho olusheshayo, umakhelwane Wami uTotoro uphethe isibuko kulokho esingalahlekelwa ngakho. Isikhombo somoya esihamba ngesihlahla se-camhor, ithemba lomntwana ozama ukufinyelela kubantu abangamazi, ukububula komuzi ohlanganayo, [1] abakho amaphupho kodwa amapulani okuthi abe nobuntu, aqaphele ukuba khona. Ekupheleni, uToro akakho yedwa eJapane; uthembekile kunoma ubani oke walalela ihlathi futhi wazizwa, ngoba ihlathi lihlala emuva.