Ukumisa Inkundla: Idolobha LaseJapane Langemva Kwempi Nokuzalwa Kobungane Obuyingqayizivele

Ibekwe ekuqaleni kwehlobo lika-1966, iziKhidi eSlope (isiqu sakuqala saseJapane Sakamichi no Apollon)) zivela edolobheni elibuthuntu laseSasebo, iNagasaki. Izwe lisanyakaza isithunzi sempi, futhi ithonya laseNtshonalanga (partlypatterlympiz [1] Sakichichin nopollon[[[Folt:3]]). IKau Nishmi, i-inveved, ihloniswe umfundi, ifika njengomfundi ohlala njalo. Isikhathi sikayise somkhumbi siphoqekelele ukuba umkhaya ushiye umkhaya, futhi uqhele ukuqashe i-Kaor Dialow. Ume unikeza ukuqamba kwakhe i-mfonto esobala, kodwa ufanele ukuthatha i-hease.

Izwe lakhe lijikijela esidlekeni ngosuku ahlangana ngalo noSentaro Kawabuchi, ibhungane elihamba phambili, ngokuvamile elaziwa ngokuzungeza isikole njengehlongandlebe. U-Setaro unamavila ophahleni, ushaya ucingo ebhodweni lokulungisa amathini namabhakede, ubambeke ngokuphelele. Umdlali wejazz uqala ukushaya injini yendaba, u-Kaoru ukhuthukile: u-Kaoru ukhutshazwe uhlazekile ngenxa yobuhlanya bukaSevaro, kodwa ngokungakholeki ngamandla akhe aluhlaza okushaya izigubhu. Loluyaluyaluyaluyaluya oluqinile phakathi komculi oyisidlali nohlobo oluqinile nejahawuzayo lwe-jaziz kuba yinjini yendaba, emisa imoto edlula kakhulu ubunganeni oluvamile. Idolobha ngokwalo, kanye nezitebhili, nezitebhisi ezisezi zesitolo ezihamba ngolimi lwezwe ngoRikashi, indawo ehlala kulo ehlala eMelika.

Izinsika ezintathu eziphakathi − Karou, Sentaro, noRitsuko zenza kube lula ukudonsa amandla adonsela phansi e-jazz. UKaoru uwela emjahweni esitolo serekhodi lendawo lapho uSentaro edlala khona imigqomo egcwele injabulo engathi yibobophayo, uRitsuko, ummeleli wesigaba seqembu elimnene, umi buthule. Kulesondawo esiminyene, esiwuthuli, isivingcolisi sesizungu sikaKaoru esingaphansi komhlaba siqala ukucka. Uhlala ephinininini, futhi nakuba iminwe yakhe eqinile, umenywa ukuba ahlangane. Ingoma i - Arth Bla Brakey’s “Main’,” nomzuzwana uphawula ukunamba kokuqala komculo lapho izingxoxo ziqala khona ukuzwakala futhi kunezinkombamame ezindaweni ezisematheni.

I - Anatomy of Jazz Njengethuluzi Elingahlali Nhlobo

Okubeka [[FLT: 0] Ama-Kids eSlope ahlukene kweminye imidanti efikayo ye-ayime yinqaba kwawo ukuphatha umculo njengomhlobiso wesizinda. UJazz i-gazi elidwetshwayo, nezimiso zalo zokwakha, ukukhala nokusabela, ukugeleza, ukugeleza, ukunyakaza, ukunyakaza, ukunyakaza okufana ne-packup kanye nokuziphatha. Umqondisi uShinichirō Watanabe, kakade ugujwa ngenxa yokuhlanganisa umculo nokulandisa ngendaba [[FLT:] u-FLT [FLT] [FLT] [3] [3] kanye [FLT] [FLT] [5] [5]

Cabangela ukusetshenziswa kwesimiso sokuma. Ngokwesibonelo, abalingiswa bangase baphikisane, baxabane, noma bazizwe behlukanisiwe, bese ukudlala kuxazulula ukucindezeleka okungokomzwelo ngaphandle kwegama lokuxoxa. Umculo ngokwawo uyakhuluma. Lapho uSentaro noKaoru bedlala i-actey yesikhathi sokuqala, ukuxabana kwabo okushubile okungokokuqala, iKaoru izama ukulandela isikhathi esiqinile, i-Sentaro isundu futhi ikhiphe i-diffo·refrective. Baphuma e-syncrectals de Kau uslective syndreamsss futhi baqala ukuzwa i-partum. Isinqumo asikho isenzo esiphelele kodwa esiyiqiniso, futhi ukuguquguquka komzwelo owayo owalandelana kunanoma yiyiphi ingxoxo.

Uchungechunge lusebenzisa futhi izindinganiso ezithile zejazz njenge-soatic ans. Ngokwesibonelo, i-colled “Izinto Zami Ezithandwayo” igcizelela izikhathi zokulangazelela nokukhala kothando lokuqala. Umqulu ohlokomayo othi “Kodwa Awuyiyo” kuba iculo lothando olungenaluzwela kimi, amandla ayo abonisa ukucasuka kothando. Okwamanje, amandla anamandla anamandla ka-“Faur" ka-Miles Davis noma ukumemeza komphefumulo ka-“Lullaby of Birdland” kuhambisana nokuqiniseka kweqembu njengomdlali. Umkhondo ngamunye awukhethelwangamelwanga ngenxa yokwethakazelisa izimpawu kodwa amandla alo okuchaza lokho abaculi abangakwazi ukukusho. Lokhu kuguqula ukubuka kubonakale kuhle kwe-midweba kokulalela okuthile, ukuzwa kwezilaleli, kunokuba kukhanyiswe nje.

UKaoru Nishimi: I - Classic Prodigy Efunda Ukuzizwa

UKaoru uhamba phambili kuloluchungechunge. Lapho sihlangana naye, umfana owakhiwa ngokuphelele izindonga zokuvikela. Ugqoka izinga lakhe lemfundo njengesembatho sokuzivikela, futhi ukuqeqeshwa kwakhe komculo wekholidi kuye kwamfundisa ukuthi inothi elilodwa elingalungile liwukwehluleka. Unina akakho, uyise uqhelile, futhi usekwazile ukushiya izindawo ngaphandle kokushiya ucezu lwesandla. Khona - ke uSentaro nojazz bakubekela inselele konke akukholelwayo ngomculo nokuxhumana.

Imizamo kaKaoru yokuqala e-jazz ibuhlungu kakhulu. Ukhubeka ngezigqi ezingahlali kahle phakathi komgqebhezana we-back. Iminwe yakhe, ekhuliswe kakhulu e Chopin, izizwa njengezinti zokhuni ezihambayo ezihambisana nomsindo wesibazi. Kodwa, kulezo zikhathi zokuma okungasheshi, ukuminyana okuqinile, kwenzeka okuthile okuphawulekayo: uqala ukuxoxa. Ubuka ulimi lomzimba kaSentaro, indlela amahlombe omjikishe aphakama ngayo ngaphambi kokugcwalisa, futhi ufunda ukubheka, ukuphendula. Lokhu kuhlebezela emuva kanye ne-jazz[5] ngoba kuyimbangela yokuqala yesikhathi sikaKaor uxhumana ngempela nomunye umuntu.

Uma ekhula ngokomzwelo akakwazi ukuxoxa umculo wakhe. Lapho ewela emkhosini kaRitsuko, engakwazi ukuveza imizwa yakhe, uthululela isisusa sakhe kuphiyano. Uma ezwa udosi lomhawu ngoSentaro, uduma amazinyo anamandla kunakuqala ukuba akhulume. Emdlalweni, ukuqhuma komkhosi wesikole kuba ukumemezela kwakhe siqu. Ngalesosikhathi, ufunda ukuthi umculo awuphathelene nokuphelela; ukhuluma ngokwethembeka. Umfana owayekade efihlekile udlala i-Bach manje, idlalo ewudlale, engakwazi ukuzenzela lutho. Izilaleli ziwuvumela ekugcineni ukuba ziwuvumele uKau uqobo ukuba uphumelele.

I - “Drummer ” Enezilonda Ezingakhulunywanga

Uma uKaoru eyisiphepho esithule, uSentaro uyisiphepho esithule. Ngaphakathi, ubonakala emelene nokuduma kombhexi: igobolondo eliqinile, elinamandla, eliwukuvukela, nelingezwani negunya. Ungena emakilasini, ulwa, futhi uzulazula emigwaqweni egcwele ugwayi olenga ezindebeni zakhe. Kodwa ukuqina kuka-Sentaro kuyisigobo esiqinile esivikela umthombo ojulile wokungalawuleki. Washiywa unina esengumntwana, ukhuliswa ugogo onomusa kodwa osegugile, futhi uphethe uvalo lokulahlekelwa yikhaya okuwukuphela kwakhe. Ifa lakhe elixube liyifa lakhe le-roceldaywe njengelodwa eMelikansh. .[1] Uyise u-ahday waphawulwa njengomuntu wangaphandle eJapane, futhi ufundele umphakathi ukuba alahle umphakathi.

Jazz uba i-Sentaro’s sodro. Ngasemva kwenqolobane yesigubhu, amandla akhe aguquguqukayo athola injongo; intukuthelo yakhe ishintsha ibe isigqi. Uthanda abashayi bezigubhu abadumile abanjengo-Art Blakey, hhayi nje ngenxa yobungcweti babo bobuchwepheshe kodwa ngenxa yekhono labo lokuhola nokuxhumana ngemuva kwe-scread. UDrums ushaya ngamandla anoma yimuphi umfantu, futhi u-Drums uthatha lowomthwalo ngesizo esinzima, ngisho noma engakwazi ukuwenza. Ukudlala kwakhe kuluhlaza futhi kuvevezela, ngokuvamile kuyinto evusa amadlingozi, kodwa akunakali. Ukushaya ugibe kuyinto angenakusho.

Uchungechunge oluqhathaniseka ngokuphawulekayo noVasaro olwayo ukuze athole usizo. Njengomculi wesigubhu, usetshenziselwa ukusekela abanye, ukuthatha igebe, futhi akavamile ukuqashelwa. Ekuphileni, uphikelela ekusingatheni imithwalo yakhe yedwa, ngisho noma isisindo siqala ukungabekezeleleki. Ibanga eliyinhloko lihlanganisa inkinga yomkhaya esheshayo, futhi i-Sentaro izakunyamalala, ukuvikela abangane bakhe enkingeni yobuhlungu bakhe. Kulapho uKaoru noRitsuko benqaba ukumehlisa impela, kuqonda ukuthi akuwona umthwalo. Ukuhlangana kwabo, ukunyakaza kwenhliziyo yabo, ukuvala “i - Mon’s, akuyona nje indlela ebaluleke ngayo; ukuhlobana kwabo kuyinto ebaluleke kakhulu; ukuhlobana kwabo.

URitsuko Mukae Namandla Enhliziyo Athulile

Ivame ukuvalwa ezingxoxweni zaloluchungechunge, iRitsuko ayiyona nje isithakazelo esivamile. Uyihange elingokomzwelo elibamba i-trio, njengoba imizwa yakhe isongela ukuyihlukanisa. Indodakazi yomphathi weqophelo lezincwadi, ikhule izungezwe imikhono yevinyl nemikhono ephansi yejazz, futhi uyakwazi ukuqonda umculo ofingqiwe ongenakuqonda. Angabona uma umculo uphoqelelwa ukuba uhambe lapho unyuka, futhi isikhuthazo sakhe esinokuthula ngokuvamile singabantu abafana abadingayo.

Ukufika kukaRitsukoofāge kungokokufunda ukwazisa izwi lakhe siqu. Uqala azichaza ngokwakhe ngokuphathelene nabanye: ufunda naye othembekile, umngane osekelayo, intombazane ephethe imfihlo efiphele kuSevaro kuyilapho uKaoru ephethe omunye. Unxantathu wothando uphathwa ngekhono elibucayi, eliwubukhohlakani eligwemayo. URitsuko akakholeki noma athathe icebo noma asebenzise icebo lakhe; umane nje ulwane, njengoba kwenza intsha eningi, efuna othile ongase angamphindiseli ngemizwa yakhe kuyilapho engazi ukuthi angase amlimaze omunye umuntu amthandayo kakhulu.

Isikhathi sakhe somnyango sifika hhayi phakathi nohlelo olukhulu lomculo kodwa esinqumweni esithulile. Ukhetha ukwethembeka ngokuzenzisa, futhi nakuba umphumela umnandi, uphuma enomuzwa onamandla kakhulu. Ngalesi sikhathi, uRitsuko uthatha isinyathelo esichazwanga ngenjongo echazwayo kodwa ngesifiso sakhe somculo nangomphakathi, abe yisisusa esishukumisayo ekulondolozeni isitolo sokuqopha amarekhodi njengendawo yokuhlangana. Ukuziphatha kwakhe kuyisikhumbuzo esihle sokuthi ubudala abukho ngaso sonke isikhathi; ngezinye izikhathi kungumuntu onokuthula ofunda ukucula.

IMiphakathi Yempucuko YaseJazz ngo - 1960 eJapane

Ukuze iqonde ngokugcwele ukubuya kombukiso, kusiza ukuqonda i-pane yangempela yomhlaba. Ngawo-1960, iJapane yayigcwele i-jazz. Ngemva komsebenzi waseMelika, i-jazz cafes . ibizwe ngokuthi jajujujuchia [. [______igcwele emadolobheni nasemadolobhaneni, inikela izindawo lapho intsha ingahlangana khona, ilalele imibhalo engenisiwe kwamanye amazwe, futhi ixoxe ngezobuciko, nenkululeko. La misele efinyezayo yaba yizicubatha ephikisayo yemithetho engokwesiko yamaJapan yesigaba sokulawula nokulawula. Jaz, kanye nemisuka yayo ebalani laseMelika kanye neyayo ebalazwe phakathi kwe- - Afrika, yanikeza isibonelo senhlebo.

[[FLT: 0]] Ama-kid ku-Slope aveza lesi sikhathi esingokomlando ngokukhomba okumangalisayo. Isitolo serekhodi esilawulwa nguyise kaRitsuko, uMukae Records, iscreen, i- i-jajuppa i-jazu [ kuzo zonke igama kodwa igama elithi `ahh’ahh’a indawo lapho intsha ingaphikisana khona ngoSonny Rollins kanye no-us John Colletrane, lapho i-crackle kavinylyly ingcwele khona, futhi lapho ingela abantu abadala ingathathiwe kakhulu kodwa ikhathalela kakhulu. Uchungechunge udwebo odumileyo odumileyo, futhi owehlukile, womabili uveza izincazelo zomculo. Uma impikiswano ziqinile noma i-bzzz.

Lokhu kumisa okungokomlando futhi kukhanyisa ukuhlelwa kwendlela yokubonisa inkathi exubeneyo. Ukuba khona kwezisekelo zezempi zaseMelika eNagasaki kwasho ukuthi abantwana babesifazane baseJapane nabaphathi baseMelika babewumphakathi obonakala kahle, ngokuvamile owenziwe ngokwezigaba. Isimo sangaphandle asilona icebo lokuceba; kubonisa iqiniso elibuhlungu lenkathi. Ngokuwenza lo mkhuba ube yi-jazz mer", kanye nongokomfanekiso umkhiqizo wento engokwesiko phakathi kweJapane neMelika, futhi ubonise ukudumisa ifa eliyinkimbinkimbi lomculo ngokwawo, owazalwa ekuxubaniseni kwemijikelezo ye-Afrika nemishini yaseYurophu. Ngokuhlola okuqhubekayo indima engoko [FLD [FLD:] [FLD] [FK] [FK], abafundi be-FT] [NFT]

I - Rhythm Ebonakalayo Nobuciko Bokulungisa Imizwelo

I-amime, ekhiqizwa yi-MAPPA neTezuka Productions, ihumusha i-dinamism yejazz ngolimi olubonakalayo ngekhono elimangalisayo. Izinhlelo ze-Studio azivuselelwa nje njengabaculi abadlala amathuluzi, kodwa njengemifudlana enyakazayo yokunyakaza kwe-Purse.Njenga imifula endizayo esuka eboyani buka-Sentaro, iminwe kaKaoru inyakaza ngezihluthulelo, ukuthuthumela kwensimbi ebambeke efulene. Lolu chungechunge lusebenzisa indlela yokubonisa ukuvala izimpawu zezandla nezinyawo, ihlukanisa amaphinicicile omzimba womculo owenziwa eSentaro kuze kube yilapho iqala ukudansana. Lokhu kuguqula isenzo somculo esithintana kakhulu.

Imibala yemibala kanye nokuklanywa kombala ogqamile kufeza indima ebaluleke ngokufanayo. Indawo engaphansi ye-ming igcwele inhlaka efudumele nethunzi elimnyama, ifaka isikhala esifiphele seqembu lejazz. Ngokuphambene, amaphasishi nemigwaqo yaseSasebo ahunyushwa ngemibala eluhlaza neluhlaza okwesibhakabhaka esimhlophe, igcizelela umuzwa wokuzihlukanisa nezindawo ezivamile. Ukulandelana komkhondo we-propulphection, okubekwe emzileni wokuqala “Sakamichi noMelody,” kuyisigebengu esiphambili esixoxayo: amabala aluhlaza okwesibhakabhaka, ama-Sevaro, neRitsuko ahamba phakathi kwedolobha, enyuka imithambeka, futhi ekugcineni efika ndawonye emkhosini. I-cu i-'i - propideach aficke, kodwa iwuthe ukufika kwayo ngokwayo, ukugeleza kwenjabulo, kanye nokuhoxa kwenjabulo.

Umculi uklanywe nguNobuteri Yuū uqinile futhi uveza izimpawu, ugwema ama-amime trope ehaba. Amehlo kaKaoru ahlala evalekile namehlo acunukile aveza ukukhathazeka kwakhe ngokomzimba. UVantaro uxegisa, uphakamisa ikhanda lakhe nendlela ahlehlisa ngayo ikhanda lakhe lapho ehleka akhuluma ngemvelo yakhe engalawuleki. Amehlo kaRitsuko avame ukuba nesithukuthezi akhuluma kakhulu ngokuphila kwakhe kwangaphakathi. Isibopho sobuciko sokukhomba siqinisekisa ukuthi uma abalingiswa befinyelela izinga eliphakeme elingokomzwelo − futhi ukumemeza noma ukuduma kwezinyembezi kophiyayo ngophiyano.

Izwi Lesizukulwane: Umqondisi uShinichirō Watanabe noYoko Kanno

Akukho kuxoxisana [[FLT: 0] ku-Slope kuphelele ngaphandle kokuvuma ubuhlobo bomqondisi uShinichirō Watanabe nombhali uYoko Kano, ukuhlangana kwabo ngemva komsebenzi wabo wenganekwane u-Kowboy Bebop. UKanno, umdlali we-pollath oye wasungula yonke into esuka e-ochemicle ukuze ahlole i-electronican, wasondela eprojectal njengesazi somqambi nomfundi we-jazzz. Kunokusho nje ukuthi usebenza ngezindinganiso ezikhona, wasebenza ngokuhlangana kwezwe lonke izwe le-jazzzzz. Uyakwazi ukuzwa i-Matkamer no-Shunshiachwa, owazenza ama-injini amancane enziwe ngekhono, futhi okwazi ukupheka ngokumangalisayo. I-injini enzile, izimpawu ezitholakalayo kanye, izimpawu ezitholakalayo, kodwa izibona izibona izibona izibona izimpawu ezikhona kanye.

Ikhono lokulawula uWatanabe liphakamisa ukwaziswa ngalé kwedrama elula. Uthemba ukuthi kungathulwa kakhulu. Ezinye zezikhathi ezithinta inhliziyo kakhulu zivele phakathi kwamagebe phakathi kwamaphuzu, noma esikhathini eside, zilokhu zibheka omunye umdlali unikeza omunye kuyilapho umlando ulandelana kancane ngemva. Ubonisa futhi ukuzibamba okuphawulekayo ngemidanti yothando, ukwenqaba ukubopha yonke into ngokushelelezayo. Izilaleli zishiywa nesiphetho esizwakala singokoqobo: abantu bahlukaniswe, izimo ziyahlukana, kodwa umculo abawuhlanganyelayo uhlala uqinile. Ngobathakazeli benqubo yokudala ngemva kochungechunge, ingxoxo enokuqonda neWatana ingatholakala [FLD:]

Isizathu Sokuba Lolu Hlaluko Luhlale Lukhona: Izifundo Eziphathelene Nozwela Nobuciko

Iminyaka engaphezu kweshumi ngemva kokusakaza kwayo kokuqala, izikhombo ze-Slope ziyaqhubeka zikhanga izilaleli ezintsha. Ukukhuthazela kwazo kungabangelwa uzwela lwazo olunamandla. Lolu chungechunge alwahluleli abafo abazo ngenxa yamaphutha abo; ludlulisela kubo bonke umusa ofanayo owenziwa i-jazz edla idlali labo. Incwajana engalungile ayilona iphutha lokujeziswa kodwa ivula yento entsha. Umfana ononya kodwa akalimazanga. Intombazane engenzi lutho kodwa ilindele imvume yokukhuluma. Lo moya womusa awuvamile kubadlali abakwazi ukuveza ukupholisa.

Umboniso futhi usebenza njengendawo yokungena ezweni elikhulu le-jazz. Ezibukelini eziningi, zibona amahlaya angenawo umoya nge-albhamu esanda kutholwa nguBill Evans noma izimpikiswano zabo ezinamandla ngobuhle bukaChet Baker zivula umnyango. I-Online forums newebhsayithi yezencule zigcwele izimemezelo ezivela kubalandeli abaqala ukuhlola i genre ngenxa yochungechunge, bethola hhayi nje abadwebi abadumile kodwa abadwebi besiko abaphethe lelisiko phambili. [[FLT:] [FLD] Bluetz [[FLT:] u-'bouszz'sth' [[FLT:] umnyango womculo womhlaba wonke] unikeza ithonya elimangalisayo labo abaqhubeka nohambo, ukunikeza imidwebo ebanzi. Ngokufanayo, [FLD [F:]

Umzila Womsindo Njengomsebenzi Oqoshiwe

Ngaphandle komsebenzi wayo wokulandisa, umsindo we- ufanele ukuqashelwa njengempumelelo enkulu ekunene kwayo. Izingoma zokuqala zikaYoko Kano uhlala ngokusheleleza kanye nezindinganiso ezivamile, ufinyeza injabulo phakathi kwenkathi yobuqiniso kanye nokuqonda kwamanje. Imikhondo efana no- “Apollan Blue", iveza i-nostalic, sepêtoned, kuyilapho “Kayorno no-Sentaro Duo” bethatha i-kine, ukujulu, uzwana, uzwana nozwana olusanguluke kakhulu, lufunda ulimi olufana nolulo. I-Kolla, i-Sulton, i-Shona, i-Fokin, ilandela i-Fokin, futhi igcwele kakhulu i-Ault, i-Scebown egcwele kakhulu, i-An.

Ukusetshenziswa Njengefilosofi Ephila Ngayo

Ekugcineni, izinqanda ze-Slope ziphikisa ngokuthi ukuqamba akuyona nje indlela yomculo kodwa ifilosofi yokuhamba ngezinyawo. Ubusha buyisikhathi lapho umculo weshidi unyamalala ngokungazelelwe. Izimo zezingane , izivikelo ezicatshangelwe, izimpawu ezicacile, ukuhlukanisa okungalungile nokungalungile, futhi intsha ishiyeka ihamba ihambe ingena emthonjeni we-milomu ye-jazz ukuze ingene emoyeni, kumelwe balalele ngokucophelela labo abaseduze, baphendule ngokwethembeka ngomzuzu, futhi babe nesibindi sokukhipha umsindo ngisho nalapho umphumela ungaziwa.

Kaoru ufunda leli qiniso kancane kancane, futhi kabuhlungu. Imizwelo yakhe iwukulawula, ukukhumbula, ukulungiselela. Kodwa ukuphila, njenge-jazz, akunakuvunywa. Izikhathi zakhe ezinkulu zokukhula zenzeka lapho eyeka ukuzama ukuphelela futhi edlala. Lesi sifundo sihlanganisa uthando, ubungane, kanye nokuzichaza. Akukho zindlela eziqinile zokuthola injabulo, akukho nonothi oluqinisekile oluyojabulisa isixuku ngaso sonke isikhathi. Kukhona kuphela isenzo esilula sokuveza, ukuvula izindlebe zomuntu, ukwenza umculo nokanye naye ozimisele ukuhlanganyela naye esigabeni. Uchungechunge luphela ngesinqumo esiphelele kodwa ngokuhlangana okuphelele kwemidanti ephelele, i - jazpraf j, impela, i - jaznf ephilile: ingoma ewuyinqaba, nemnandi.